Image transfer technique

Barang-barnag dikehendaki untuk buat imej transfer:

Mod Podge/Glue Varnish 

Glue Varnish & Gloss Gel Medium

image transfer on wood with Gloss Gel Medium

Sebarang pertanyaan sile call 019-2263863 untuk maklumat lanjut.

Liquitex: Transferring printed image to wood surface.

Image transfer using Liquitex Mediums:
You will need: (To order click on the image below)
Liquitex Gloss Gel and Mod Podge Matt(yellow label)

Mod Podge Matte

Gloss Gel Medium

Instruction:
Apply Liquitex Gloss Gel onto wood surface with a flat brush.
Lay printed image or photo in contact with gloss gel medium.
Using a squeegee to remove any air bubble stuck under the printed image. Let dry preferably 24 hours to 36 hours.
Brush a layer of water on the back of the backing image paper. Rub off the backing paper. Your image already transferred onto the wood surface.
Finally, apply 2 coats of Mod Podge Matte to finish.

Here is the video link:

Liquitex Mediums Part 3

Fluid mediums and varnish

Liquitex Mediums are made of an emulsion of acrylic polymer(binder) which offers a long-lasting, flexible, waterproof and ultraviolet ray resistant for Liquitex colors. Those Mediums will enable to change the features of the paint, its handling, its appearance, its volume, by producing an endless variety of effects(Airbrush medium,medium and glossy varnish..).

Glazing Medium Liquitex now offers a medium specifically formulated to allow painters to do exactly that through building rich, jewel-like glazes. The new Glazing Medium offers superior wet clarity so as minimize wet-to-dry color shift. It dries to a high gloss finish, and offers excellent brush ability.

New Liquitex Clear Gesso this clear acrylic gesso offers greater wet and dry clarity than competitive products. It provides excellent tooth and mechanical adhesion when used as a drawing support with pastels or charcoal, and can be tinted with any color to create a custom colored Gesso. It also offers excellent sealing characteristics when used with oil colors.

Airbrush Medium - A matte opaque preparation of marble dust and emulsion polymer. Dries slowly to a very hard surface, which can be carved and sanded. Use to build heavy textures and 3D forms and rigid supports. Add Liquitex Gel or Heavy Gel Medium for use on flexible supports. Mix with acrylic color or paint surface with acrylic, oil, pastel or other artist color. Permanent, non-yellowing, and water resistant when dry.

Gloss Medium & Varnish - Can be mixed with Liquitex acrylic paint to increase flow, gloss and transparency of colors. Can be used as final, non-removable varnish.

Matte Medium - Increases paint translucency, flexibility and adhesion. Excellent glue for collage, substate size and canvas ground for acrylic paint.

Gloss Gel Medium - A heavy bodied transparent, gloss painting medium, excellent for texturing, glazes and brilliant impastos. An outstanding adhesive for collages. Can be diluted with water up to 25%.

Matt Gel Medium - A heavy bodied translucent gel medium. Retains brush marks. Mix with acrylic paint to improve color blending, extend paint volume and drying time. Excellent glue for collage. Thinning beyond 25% can cause poor adhesion.

Acrylic Gesso - For Acrylics, Oil, Casein, Tempera and other paint media. Apply to raw canvas to seal, stiffen and provide surface "tooth". Also, for hardboard, paper, wood and other non-oily surface. Tint  with Liquitex Medium Viscosity Artist Color or Colored Gesso. For a smoother surface, sand between coats.

Slow-Dri Retarder - Allow the painter to re-work and blend upon the painting surface much longer than when using straight color or other mediums and gels. The slow dry fluid retarder is for blending free-flowing surfaces. It offers excellent clarity when wet and dry. It slow drying as much as 40% and offer exceptional brush ability.

Flow-Aid - Flow-aid increases the flow and workability of water thinned acrylic colors. Improves the flow of paint when blending and glazing. Always dilute Flow-Aid with water before adding to paint. Mix 1 part Flow-Aid to 20 parts water.


If you encountered any questions please email to scrapbookmemories@me.com

Liquitex Medium & Additives Part 2

Structured Gels & paste

Liquitex Gel Mediums
Gloss Gel Medium -  A heavy bodied transparent, gloss painting medium, excellent for texturing, glazes and brilliant impastos. An outstanding adhesive for collages.

Matt Gel Medium - A heavy bodied transparent gel medium. Retains brush marks.Mix with acrylics paint to improve color blending, extend paint volume and drying time. Excellent glue for collage.

Gloss Heavy Gel Medium - Extra heavy bodied, retains crisp brush strokes, dries glossy and transparent. Use for thick clear glazes, increasing depth of color or producing a brilliant gloss impasto color with oil-like drag. High ratio of gels lightens color, which returns to original state when pigments dry. Excellent binder for pigment and additives such as sand, stone etc. Permanent non-yellowing, flexible and water resistant when dry.

On the left was Gloss Gel and the rest was Gloss Heavy Gel Medium with Dylusions Ink Spray

Gloss Super Heavy Gel Medium - Creates super thick, high peak textures in a high solids acrylic gel with good wet and dry clarity. Excellent for modeling and heavy textured surface, while it maintains clarity of any color with less shrinkage than competitive products.

Mixture of Gloss Super Heavy Gel and Colorwash ink spray

Slow-Dri Blending Gel - Mix with any Liquitex Acrylic color, medium or gel to slow drying and increase open time. For thinner applications, use Slow-Dri Fluid retarder.

Light Modeling Paste - A lightweight airy, flexible, thick, sculptural gel specifically formulated to be used in applications where weight is a factor. Permanent non-yellowing, rigid and water resistant when dry.

Modeling Paste

- A matte opaque preparation of marble dust and polymer emulsion. Dries slowly to a very hard surface, which can be carved and sanded. Use to build heavy textures and 3D forms and rigid supports. Add Liquitex Gel or Heavy Gel Medium for use on flexible supports. Permanent non-yellowing, rigid and water resistant when dry.